¶ 2 Leave a comment on paragraph 2 0 This site hosts the peer-to-peer review of the original manuscript for The Piracy Crusade: How the Music Industry’s War on Sharing Destroys Markets and Erodes Civil Liberties by Aram Sinnreich.
¶ 3 Leave a comment on paragraph 3 0 The book was released in December, 2013, by University of Massachusetts Press, which allowed me to post the original draft here for pre-publication and open-review. The draft manuscript with comments will continue to live online here, even now that the book has been published. This entire text is available to access freely under a Creative Commons Attribution-NonCommercial-ShareAlike license.
- ¶ 6 Leave a comment on paragraph 6 0
- Introduction: Piracy Crusades Old and New
- PART I: Lock and Key: Music as a Scarce Resource
- Chapter 1: Stacking the Deck: The Monopolization of Music
- Chapter 2: Riding the Tiger: Why the Music Industry Loves (and Hates) Technology
- Chapter 3: “We’ve been talking about this for years”: The Music Industry’s Five Stages of Grief
- PART II: Who Really Killed the Music Industry?
- Chapter 4: Dissecting the Boogeyman: How Bad is P2P, Anyway?
- Chapter 5: Bubbles and Storms: The Story Behind the Numbers
- Chapter 6: Is the Music Industry its Own Worst Enemy?
- PART III: Collateral Damage: The Hidden Costs of the Piracy Crusade
- Chapter 7: “This Sounds Way too Good”: No Good Idea Goes Unpunished
- Chapter 8: Guilty Until Proven Innocent: Antipiracy and Civil Liberties
- Chapter 9: Is Democracy Piracy?
¶ 7 Leave a comment on paragraph 7 0 To get notified on updates on the book, including new chapters published to the web, follow @aram on Twitter or friend me on Facebook, or simply search for (and post under!) the #piracycrusade hashtag on Twitter. You can also “like” The Piracy Crusade on Facebook or follow The Piracy Crusade on Google Plus.
¶ 8 Leave a comment on paragraph 8 0 Throughout this process, I invite readers to offer comments to constructively engage with my ideas and arguments by holding conversations in the margins of the text. Any such comments and conversations will be used to strengthen the text for its final revision. I encourage readers to post under their real names to make the conversation more personal and engaging – as a book trying to reach a broad audience, I welcome comments from non-academics and academics alike. All public and private commenters will be explicitly thanked in the Acknowledgments section of the printed book. See these directions on using CommentPress if you’re new to the platform.